Decorum of the Minuet, Delirium of the Waltz

-

English
202 Pages
Read an excerpt
Gain access to the library to view online
Learn more

Description

<P>Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities—sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation.</P>
<P>Acknowledgements<BR>Introduction<BR>1. Influences of the Early Eighteenth-Century Ballroom Minuet on the Minuets from J. S. Bach’s French Suites, BWV 812–817<BR>2. Mozart in the Ballroom: Minuet-Trio Contrast and the Aristocracy in Self-Portrait<BR>3. The Musical Visions of Joseph Lanner and Johann Strauss Sr.<BR>4. Dance and the Music of Chopin: Historical Background<BR>5. The Musical Visions of Chopin<BR>6. Chopin’s Approach to Waltz Form<BR>Notes<BR>Bibliography<BR>Index</P>

Subjects

Informations

Published by
Published 23 November 2011
Reads 0
EAN13 9780253028044
Language English
Document size 1 MB

Legal information: rental price per page 0.0025€. This information is given for information only in accordance with current legislation.

Report a problem