The Gnawa Lions


149 Pages
Read an excerpt
Gain access to the library to view online
Learn more


Traditionally gnawa musicians in Morocco played for all-night ceremonies where communities gathered to invite spirits to heal mental, physical, and social ills untreatable by other means. Now gnawa music can be heard on the streets of Marrakech, at festivals in Essaouira, in Fez's cafes, in Casablanca's nightclubs, and in the bars of Rabat. As it moves further and further from its origins as ritual music and listeners seek new opportunities to hear performances, musicians are challenged to adapt to new tastes while competing for potential clients and performance engagements. Christopher Witulski explores how gnawa musicians straddle popular and ritual boundaries to assert, negotiate, and perform their authenticity in this rich ethnography of Moroccan music. Witulski introduces readers to gnawa performers, their friends, the places where they play, and the people they play for. He emphasizes the specific strategies performers use to define themselves and their multiple identities as Muslims, Moroccans, and traditional musicians. The Gnawa Lions reveals a shifting terrain of music, ritual, and belief that follows the negotiation of musical authenticity, popular demand, and economic opportunity.


Notes on transliteration and transcription

Chapter 1: One Minute in Meknes

Chapter 2: Defending Ritual Authority

Chapter 3: African Routes and Sufi Roots

Chapter 4: Making a Living as a Contemporary Ritual Musician

Chapter 5: New Opportunities

Chapter 6: Light Rhythms and Heavy Spirits

Chapter 7: Fighting New Demands

Chapter 8: Heritage and Hybridity

Chapter 9: New Authorities and Authenticities





Published by
Published 06 August 2018
Reads 0
EAN13 9780253036766
Language English

Legal information: rental price per page 0.0025€. This information is given for information only in accordance with current legislation.

Report a problem