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Partition complète, New et Complete Instructions pour pour violoncelle

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Jouez la partition de New et Complete Instructions pour pour violoncelle partition complète, méthodes, fruit du travail de Various. La partition de musique classique écrite pour les instruments tels que: violoncelle, 2 violoncelles
Cette partition se constitue de plusieurs mouvements et est classifiée dans les genres méthodes, pour 2 violoncelles, pour 2 musiciens, langue anglaise, pour violoncelle, partitions pour violoncelle, pour 1 musicien
Redécouvrez encore tout une collection de musique pour violoncelle, 2 violoncelles sur YouScribe, dans la rubrique Partitions de musique classique.
Edition: London: G. Goulding, n. d. (ca. 1785).

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Language English
Document size 2 MB

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THE ViolonccUo was ever estcemd an e^clknt Innrument not Oi.ly in Concert
but alio lor playing LdTons &. may bn ^-c>ufider\! as a Large Fiddle held the
contrary way and the• fourth String is .e.t the Bow Hand as the isBudr tun/d
downward, the lower part to,. reft on .he Calves ..t the 1..^. the edge *ol the
back to relt on the Lcj? . by which ..xaus it turns the ftrings of the Bafs
convenient to, the Bow hand befides^ it prevents the Legs prellu>g too hard upon
the weak m„ or lldes of your lultrument .6. places in the moft convenient pofition
for playing Hrft it will. be verv necffary for the Learner to ^.X the nances of
the notes in the Gamut alio .hat hue A. fpace each note -ft.nc; o« as
dcfcnb'd in the manner- followiu"-
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mult)..arnc*.Tintnncurthe N.tesloon UopmayLearnerthedirecuons']W thefe
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amiAlphabetof theLettersSevenfirltby thoknowuMufic isAll'chan.^es:
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A Perfect SCALE for the VIOLONCELLO
112 2— — —" -' :r -\ -—y
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Thele are ail. the Notes Natural and Artiiicial ncccfsar^ for a begiiuier in
the Bals Cliff the Artificial are calld Flats and Sharps a Flat thus a\, Sha,-p
thus a.id a Natural thus ^,luch% brings *tbi« Note\ to its place after a .or j?
ifiit. -here are two other CHffs Tenor and CouDter T.>uor and £.^, tL..T are
verv liieti.l viU fet them both the Tenor Traufpoles !h- notes a fifth iijgher
f'j
the C. 'inter 'iVui.r ferenth* but are verv feldom ufd ou the fourth Strings.
TE I*; > R COUNTER TENOR
3, Striug^ ti^'Au\M^ 1. String 2 . String' 1, String
5 1^4 h1 2 12 3
, 2 O 12 1 2 ^4.1i? .'j
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-^— Mn ? ^^^^^^^Pllii.FG ABCDEFG FG ABC13SFG it t;Finger board ofA Scale for the a Violoncello
Showing distancesthe w(here the Fing'-rs are to be placed.
From Nutt to Bridge Twentv SisL laches and half
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ing 1^ -2vStrin^ String e £Treble rl f
>assin TuneNotesStoppinpjOf
the Notesbefore ^e ran stoptime^ill be someitgood EaraTho the Learner may have
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theacquainted w thFingers are^ben theon andP.;,.r pastedmurkU witl*toard
to she^the Gamut ,*.playing offforoff butt.k.nmurksFingerboard, have tb.
Keys, in ordercalldvhich areOctaves,it intoform..e willthereofthe right use
.descending.thusascending, &properly,Semitonesintroduce all theto
KeyDCKeyKeyC
l*.*Str:2*3str:.9'Jstr:4*.^Str:
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inFingers differbovr theseelearner mayKeys ivbere thepracticaltheThese are boardthe FingerofRepresentationthisvhichKeys;differentin theerNostoT.p ng the thowith linos..drawn cross .half NotesorSemitonestheLving allas.Til'explain
n-U .te^ch it bytois not possiblepart ittunelngrxpldml thentlyIriVxc have .suff